12-Week Course

Train As a Storyteller, Not Just a Performer.

Build a reliable acting instrument, understand story with speed, and action it on camera with intention.

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Program Breakdown

Weeks 1-4

The Acting Instrument

Focus: Developing a responsive, reliable instrument that can carry a wider range of stories without overthinking.

Outcomes:

  • Confidence in your embodied acting instrument (not just the idea of it).
  • Expanded range of stories your instrument can action.
  • Reduced analysis paralysis; faster access to your instinctual being.

Why this matters: If the instrument isn’t flowing, no amount of “story understanding” or “screen awareness" will leave an imprint on your audience.

Actor listening during class.
Actor working through a scene exercise.
Acting class instruction moment.

Weeks 5-8

Storytelling Comprehension

Focus: Practical understanding of how storytelling works, so acting choices become clear, fast, and self-directed.

Outcomes:

  • Instinctual, practical script comprehension that even the writer will be jealous of.
  • Clear feedback for competency in self-directed performances.
  • Less time in your head; more time in your story.

Why this matters: Most actors are taught to feel deeply… but leave the audience untouched. This knowledge replaces guessing with understanding.

Storytelling class discussion.
Script comprehension exercise.
Actor exploring story choices.

Weeks 9-12

Screen & Self-Tape Technique

Focus: Actioning your story inside the frame, using the medium intentionally rather than passively.

Outcomes:

  • Actioning the writer's intentions clearly within the camera frame.
  • Operating as a one-person production unit for cinematic tapes.
  • Creating self-tapes that feel experiential and intentional - not flat or procedural.

Why this matters: Casting doesn’t need another “clean” tape. They need to experience the storytellers that they are searching for.

Screen class setup.
Actor preparing for camera work.
Self-tape technique session.
Instructor coaching screen work.

This program is designed for:

  • Actors who see themselves as storytellers, not just performers waiting for direction.
  • Students ready to move beyond the same old theories that every peer and their competitor have been objected to.
  • Actors willing to take responsibility for their work, career and Story.
  • Those prepared to prioritise long-term craft over short-term comfort.

This course is not for:

  • Actors content with their current level of work or growth.
  • Students satisfied with traditional technique as an endpoint.
  • Those unwilling to stand out in an industry of same-same performers.
  • People whose current life circumstances won’t allow focused and consistent work.

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